March 2, 2022
Comfortable and fibrous, the leaves of the stinging nettle are infamous for their minuscule hairs that generate burning sensations when touched. The plant, although, is also a hanging instance of nature’s penchant for structural designs and texture, with smaller, serrated edges and delicate ribbed veins. It is not quick to analyze or touch these intricate kinds without the need of exposing a finger or hand to opportunity agony, a barrier made considerably less formidable by London-based artist Rachel Dein.
For the last 11 a long time, Dein (previously) has plucked herbs, bouquets, and other foliage from the soil and arranged her results into new assemblages. She’s an early cultivator of the botanical bas relief strategy, which will involve pressing the compositions into clay and filling the impressions with plaster, concrete, and most not too long ago, iron powder and resin. The resulting tiles, which have developed in scale from 40-centimeter squares to two-meters-extensive, maintain the supple shapes of sage, snowdrops, and ripe blackberries, immortalizing their special contours and network-like programs extensive immediately after they’ve withered and wilted.
Dein has many tasks in development at the instant: one casting Alpine crops from Switzerland and a different operating with the backyard crops at Nunnington Hall in Yorkshire, which will culminate in an exhibition in February 2023. She’s also producing restricted-edition embossed prints and discovering added resources, like glass, iron, and copper. Store accessible items on Etsy, and retain an eye on Instagram for new releases.
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